Friday, August 03, 2012

CINDY NORD AND NO GREATER GLORY


Welcome Cindy Nord, author of NO GREATER GLORY. Cindy is giving away an ARC of her new release to one lucky commenter today. Be sure to leave your email address with your comment if you want to be eligible for her giveaway. I'll announce the winner on Monday. Now, here's an interesting article by Cindy:

                                                      VICTORIAN JEWELRY

The Victorians had a reputation for beauty & grace as evidenced in the exquisite pins, brooches, strap or slide bracelets, necklaces and crosses that were favored during this time period. The ladies needed just the right piece to wear to a candle lit dinner or an afternoon stroll in the park. The elegant jewelry chosen between 1837 to 1901 clearly underscores the Victorian love of accessorizing.  Known as first The Romantic Period and then The Grand Period in regards to jewelry, the Victorian years are broken down into: ‘Early Victorian’-- from 1837 to 1845.  ‘Mid Victorian -- from 1846 to 1886. And ‘Late Victorian’ -- from 1887 to 1901.

Calla Lily Gold Locket
Photo courtesy Lang Antiques


Popular motifs throughout all three cycles were serpents (symbols of eternity), and pendants encasing locks of hair from a loved one or hair woven into beautiful pieces.  Filigree gold helped to stretch the costly metal and the addition of pink coral, turquoise and seed pearls alongside amethyst, aquamarine, blue zircon, citrine, emeralds, garnets, ruby, "pinked" topaz, and sapphires caught the candlelight and warmed the ladies skin. Natural resources like bog oak, gutta percha, jet, ivory, lava, and vulcanite were also extremely popular, especially for carved pieces and cameos. Along with the precious jewels and sterling settings, popular items such as love knots and carved clasped hands were coveted. Diamonds were worn in the evening and only by the married or the betrothed woman. And the emergence of colored stones grew with the young unwedded lady.
Civil War earrings


Hair jewelry courtesty
whitneybria.blog

During the Mid-Victorian years we also saw a large introduction of mourning pieces due to the fact that Prince Albert, Queen Victoria's beloved husband, died in 1861 of Typhoid Fever. Upon his death the Romantic Period ended. To narrow the jewelry field down further, the two-year period between 1861 – 1863 became known to history as the ‘Victorian Mourning Era’ and the pieces that become most popular during this sad time consisted of jet, human hair, gutta percha, bog oak or other black material.  Natural Tortoise shell pieces are viewed by some as ‘Victorian half-mourning’ because the mourner would begin to re-introduce these choices only in the second year of their loved one's passing.
Hair braid pendant

Oak and gold  earrings, pendant
Tiffany 

Civil War hair bracelet
set in 15 c gold


The Victorian years after the death of Prince Albert became The Grand Period (so dubbed because of the grand way in which gems, jewelry and metals were used) and it was during this time period, that gold was discovered. In 1849 in America and in 1852 in Australia. This greatly increased the availability of the precious metal to jewelry designers.  Incredible changes took place in the overall design of jewelry. With a technique passed down from mother to daughter, we see the popularity of locks of a loved one’s hair woven into intricate designs and then enclosed in a locket. Incredibly prevalent during the Civil War years, hair jewelry was used for both Memorial (mourning of a deceased loved one) and Sentimental (remembrance of a living, but distant friend or loved one at war) gifts.

Gold and jade watch fob
Courtesy archives.jewelry.oneof


As Judi Anderson said, “The late Victorian Period, known as the Aesthetic Period or Movement (1880-1901) was a direct response to the over indulgent fashions and to the stuffy formality and strict protocol of the Grand Period. And after 27 years of mourning, even the staid Victorians had lamented enough. During the Aesthetic Period a sense of fun and light heartedness returned to jewelry. Whimsical motifs such as griffins and dragons, crescent moons and stars, butterflies and salamanders, were crafted into jewels of astounding beauty.”

Speaking of jewelry, look at the cameo necklace on the cover of Cindy's new release, NO GREATER GLORY.




Here's a blurb for NO GREATER GLORY:

Amid the carnage of war, he commandeers far more than just her home.

Widowed plantation owner Emaline McDaniels has struggled to hold on to her late husband’s dreams. Despite the responsibilities resting on her shoulders, she’ll not let anyone wrest away what’s left of her way of life—particularly a Federal officer who wants to set up his regiment's winter encampment on her land. With a defiance born of desperation, she defends her home as though it were the child she never had…and no mother gives up her child without a fight.

Despite the brazen wisp of a woman pointing a gun at his head, Colonel Reece Cutteridge has his orders. Requisition Shapinsay—and its valuable livestock—for his regiment’s use, and pay her with Union vouchers. He never expected her fierce determination, then her concern for his wounded, to upend his heart—and possibly his career.

As the Army of the Potomac goes dormant for the winter, battle lines are drawn inside the mansion. Yet just as their clash of wills shifts to forbidden passion, the tides of war sweep Reece away. And now their most desperate battle is to survive the bloody conflict in Virginia with their lives—and their love—intact.



EXCERPT: NO GREATER GLORY


October 1862
Seven miles west of Falmouth, Virginia


    A bitter wind slammed through the tattered countryside, sucking warmth from the morning. Emaline McDaniels rocked back in the saddle when she heard the shout. She glanced over her shoulder and her eyes widened. Across the fields of ragged tobacco, her farrier rode toward her at breakneck speed. Lines of alarm carved their way across the old man’s ebony face.

    Emaline spurred her horse around to meet him. “What’s wrong?”

    Tacker pointed a gnarled finger eastward. “Yankees, Miz Emaline! Coming up da road from Falmouth!”

    “Yankees?” Her heart lurched against her ribs. She’d heard of their thievery, the fires and destruction left in their wake. Teeth-gritting determination to save her home flashed through her. She leaned sideways, gripping his work-worn sleeve. “Are you sure they’re not the home guard?”

    “No, ma’am. I seen ’em, dey’s blue riders, for sure. Hundreds of ’em.”

    Two workers moved closer to listen to the exchange, and the farrier acknowledged them with a quick nod.

    “Everyone back to the cabins,” Emaline snapped, sinking into the saddle. “And use the wagon road along the river. It’ll be safer.”

    “Ain’t you comin’ with us?”

    “No. Now move along quickly, all of you. And keep out of sight.” She flicked the reins and her horse headed straight across the fields toward the red-brick mansion that hugged the far edge of the horizon.

    The spongy ground beneath the animal’s hooves churned into clods of flying mud. Aside from a few skirmishes nearby, the war had politely stayed east along the Old Plank Road around Fredericksburg. Her mare crested the small hillock near the main house, and Emaline jerked back on the leather reins. Off to her far right, a column of cavalrymen numbering into the hundreds approached. The dust cloud stirred up by their horses draped in a heavy haze across the late-morning air. In numbed fascination, she stared at the pulsing line of blue-coated soldiers, a slithering serpent of destruction a quarter of a mile long.

    Waves of nausea welled up from her belly.

    “Oh my God…” she whispered. She dug her boot heels into the mare’s sides and the nimble sorrel sprang into another strong gallop. Praying she’d go unnoticed, Emaline leaned low, her thoughts racing faster than the horse. What do they want? Why are they here?

    Her fingers curled into the coarse mane as seconds flew past. At last, she reached the back entrance of the mansion. Quickly dismounting, she smacked the beast’s sweaty flank to send it toward the stable then spun to meet the grim expression fixed upon the face of the old woman who waited for her at the bottom of the steps. “I need Benjamin’s rifle!”

    “Everythin’s right dere, Miz Emaline. Right where you’d want it.” She shifted sideways and pointed to the .54 caliber Hawkins, leather cartridge box and powder flask lying across the riser like sentinels ready for battle. “Tacker told me ’bout the Yankees afore he rode out to find you.”

    “Bless you, Euley.” Emaline swept up the expensive, custom-made hunting rifle her late husband treasured. The flask followed and she tumbled black crystals down the rifle’s long muzzle. A moment later, the metal rod clanked down inside the barrel to force a lead ball home.

    She’d heard so many stories of the bluecoats’ cruelty. What if they came to kill us? The ramrod fell to the ground. With a display of courage she did not feel, Emaline heaved the weapon into her arms, swept past the old servant, and took the wooden steps two at a time.

    There was no time left for what ifs.

    “You stay out of sight now, Euley. I mean it.” The door banged shut behind Emaline as she disappeared into the house.

    Each determined footfall through the mansion brought her closer and closer to the possibility of yet another change in her life. She eased open the front door and peered out across Shapinsay’s sweeping lawns. Dust clogged the air and sent another shiver skittering up her spine. She moved out onto the wide veranda, and with each step taken, her heart hammered in her chest. Five strides later, Emaline stopped at the main steps and centered herself between two massive Corinthian columns.

    She squared her shoulders. She lifted her chin. She’d fought against heartbreak every day for three years since her husband’s death. She’d fought the constant fear of losing her beloved brother in battle. She fought against the effects of this foolhardy war that sent all but two of her field hands fleeing. If she could endure all that plus operate this plantation all alone to keep Benjamin’s dreams alive, then surely, this too, she could fight.

    And the loaded weapon? Well, it was for her fortitude only.

    She knew she couldn’t shoot them all.

    “Please, don’t turn in,” she mumbled, but the supplication withered on her lips when the front of the long column halted near the fieldstone gateposts at the far end of the lane. Three cavalrymen turned toward her then approached in a steadfast, orderly fashion.

    Her gaze skimmed over the first soldier holding a wooden staff, a swallow-tailed scrap of flag near its top whipping in the breeze. The diminutive silk bore an embroidered gold star surrounded by a laurel wreath, the words, US Cavalry-6th Ohio, stitched beneath. Emaline disregarded the second cavalryman and centered her attention directly upon the officer.

    The man sat his horse as if he’d been born in the saddle, his weight distributed evenly across the leather. A dark slouch hat covered sable hair that fell well beyond the collar of his coat. Epaulets graced both broad shoulders, emphasizing his commanding look. A lifetime spent in the sun and saddle added a rugged cast to his sharp, even features.

    An overwhelming ache throbbed behind her eyes. What if she had to shoot him?

    Or worse—what if she couldn’t?

    The officer reined his horse to a stop beside the front steps. His eyes, long-lashed and as brown as a bay stallion’s, caught and held hers. Though he appeared relaxed, Emaline sensed a latent fury roiling just beneath the surface of his calm.

    Her hands weakened on the rifle and she leaned forward, a hair’s breadth, unwillingly sucked into his masculinity as night sucked into day. Inhaling deeply, she hoisted the Hawkins to her shoulder, aiming it at his chest. Obviously, in command, he would receive her lone bullet should he not heed her words. “Get off my land!”

                                                CINDY NORD, AUTHOR




A member of numerous writing groups, Cindy’s work has finaled or won countless times, including the prestigious Romance Writers of America National Golden Heart Contest. A luscious blend of history and romance, her stories meld both genres around fast-paced action and emotionally driven characters.

Indeed….true love awaits you in the writings of Cindy Nord
http://www.cindynord.com

Buy NO GREATER GLORY from Samhain Publishing here:
http://store.samhainpublishing.com/cindy-nord-pa-1722.html

or from Amazon here:
http://www.amazon.com/No-Greater-Glory-ebook/dp/B008GWOI9S/ref=sr_1_1?s=books&ie=UTF8&qid=1343950898&sr=1-1&keywords=Cindy+Nord

Don't forget to comment and leave your email to qualify for Cindy's giveaway.

Thanks for stopping by!


13 comments:

Caroline Clemmons said...

Cindy, thank for sharing your book and information about Victorian jewelry. Great post and photos.

Cindy said...

You bet, Caroline. As you already know, I love all things Victorian. And thank you for the invitation, I'm delighted to be here. Wonderful blog!!

All my best,

Cindy

Hana C said...

I find it so interesting that it was a common practice to weave hair into lockets. If you were to wear this today people would call you goth, emo, or think you were following the Angelina Jolie / Billy Bob phase.

Kemberlee said...

I just love all the interesting items you come up with. I think hair jewelry is one of the most interesting. A few cultures had something similar.

Marie-Nicole Ryan said...

Fascinating story and so informative.

Cindy said...

Thanks for stopping in ladies. I'm glad you enjoyed the titbit of history. While folks today might view it as morbid, hair jewelry is so Victorian and was a part of their expression of sentiment. And as mentioned in the article, during the Civil War years, before marching off to war, a man would snip locks of his hair & his beloved would weave it into elegant pieces to fill a brooch and pin to her chest--like a waving flag of support for her brave, beloved soldier.

Kathleen said...

Hair jewelry seems morbid today, but the trend resulted in some lovely Victorian pieces. Thanks for the informative post, Cindy and Caroline. :-)

Beth Trissel said...

Two of my favorite ladies in one spot. Howdy Caroline and Cindy! Love the beautiful jewelry and the interesting practices that accompanied some of these pieces in the Victorian era. Cindy, No Greater Glory sounds fabulous and is on my TBR. I grew up in old homes, some pre-civil war with an amazing history so can relate to your chosen time period very well.

Cindy said...

Thanks for poppin' in, Tex. Always glad to chat with you. ☺ And Beth, I appreciate your kind words. I feel much the same way about your writing AND your choice of time periods, Pixie pal.

Pj Schott said...

Hair bracelet? Cool!!

Cindy said...

Cool indeed, Pj. Thrilled you dropped by. Happy Friday...☺

Charlene Raddon said...

Lovely jewelry and a fascinating blog. Thanks.

Cindy said...

Charlene...I'm so pleased you enjoyed the Victorian jewelry snippit. Thank you so much for popping in.

Cindy