Friday, August 21, 2026

Montana vs. Texas: Caroline’s Two Western Worlds


 When readers think of Caroline Clemmons’ Western romances, Texas often comes first to mind—and for good reason. My mother loved Texas, knew its cowboy-country spirit, and used that familiarity to create memorable frontier towns, honorable heroes, courageous heroines, and stories of love that lasts. 

Yet one of her most distinctive series carries readers north to Montana Territory. 

The seven-book Loving a Rancher series shares the warmth, romance, suspense, and emotional depth readers enjoy in Caroline’s Texas books. At the same time, its Montana setting creates a noticeably different experience. Montana ranches, long distances, fierce winter weather, and the town of Cottonwood Springs give the series a mood all its own. 

If you love Caroline’s Texas romances, especially series such as Men of Stone Mountain, Texas and Bride Brigade, I hope you will consider a visit to Montana. You will still find the hopeful stories and satisfying happily-ever-afters you expect. You will simply discover them under a different Western sky. 

Texas: The Heart of Caroline’s West 

Texas was more than a setting in my mother’s work. It was part of the foundation of her storytelling. 

Caroline lived in North Central Texas cowboy country, and her love for the Lone Star State informed the historical details, landscapes, characters, and sense of community that appear in her books. Her Texas stories often feature frontier towns where everyone knows their neighbors’ business, ranchers try to protect what they have built, and women are determined to create safer, fuller lives for themselves.  

The Men of Stone Mountain, Texas series is one wonderful example. Its seven stories are set primarily in Texas and blend romance with danger, family ties, justice, and new beginnings. The series includes Brazos Bride, High Stakes Bride, Bluebonnet Bride, Winter Bride, Tabitha’s Journey, Stone Mountain Reunion, and Stone Mountain Christmas.  

In these books, Texas feels active and personal. The characters live in communities such as Radford Crossing, where a sheriff, rancher, café owner, dressmaker, newspaperman, or schoolteacher can all have a role in the town’s future. A threat to one person can quickly become a concern for neighbors, friends, and family. 

The Bride Brigade series offers another Texas world, this time in the fictional town of Tarnation. Seven women travel west together seeking safety, opportunity, and the possibility of love. Their shared journey creates a strong feeling of female friendship and community, even as each heroine finds her own path toward a happily-ever-after.  

Texas in Caroline’s romances can be dusty, dangerous, and demanding. But it is also filled with belonging. Her Texas heroes and heroines often have roots—or learn to put down roots—in a particular town. They create businesses, raise children, rebuild after loss, and become part of a community that grows stronger when people choose to care for one another. 

Montana: A Different Kind of Frontier 

The Loving a Rancher series takes readers into a more remote and weather-tested version of the West. 

Set in Montana Territory, the seven books follow resilient women and steadfast ranchers as they build homes, families, and trust on the frontier. The series includes Amanda’s Rancher, The Rancher and the Shepherdess, Murdoch’s Bride, Bride’s Adventure, The Rancher’s Perfect Bride, To Capture Her Heart, and Snare His Heart.  

The Montana setting changes the tone from the opening pages. 

A Texas frontier town may bring characters together through a mercantile, church, café, ranch, newspaper office, or local gathering. In Montana, the distances can feel greater and the isolation more immediate. A ranch is not only a home; it may be the only safe shelter for miles. A difficult journey, a delayed train, or a sudden storm can determine whether a character reaches safety at all. 

The weather is one of the clearest differences. Texas stories certainly contain danger, including drought, tornadoes, outlaws, fires, and winter storms. But Montana’s weather carries a distinct force in the Loving a Rancher books. In Murdoch’s Bride, a train wreck strands Charity Kelso, her aunt, and a newly widowed friend in Cottonwood Springs as a blizzard approaches. Their need for shelter leads them to Murdoch Ranch—and to a life-changing encounter.  

That combination of landscape, weather, and distance gives the Montana stories a quieter, more enclosed feeling even when the setting itself is wide open. The characters may stand beneath enormous skies, but they must rely closely on the people beside them. 

Ranch Life in Both Places 

Ranch life is important in both Caroline’s Montana and Texas stories. A ranch demands work, patience, practical knowledge, and a willingness to face whatever comes next. 

But ranch life creates slightly different pressures in each setting. 

Story element 

Texas Western romances 

Loving a Rancher Montana romances 

Sense of place 

Established or growing Texas frontier towns and ranch communities 

More remote ranch country and the Montana Territory frontier 

Community 

Often broad, with townspeople, relatives, businesses, lawmen, and neighbors 

Often begins with a smaller circle built around a ranch household or Cottonwood Springs 

Weather and landscape 

Heat, drought, storms, and rugged Texas terrain can shape the plot 

Blizzards, harsh winter conditions, long journeys, and isolation are especially prominent 

Romance mood 

Warm community, family loyalty, justice, and town-based new beginnings 

Shelter, survival, trust, healing, and building a home in a difficult environment 

Common characters 

Ranchers, sheriffs, business owners, lawmen, and women building independent lives 

Ranchers, mail-order brides, widows, newcomers, and families seeking a fresh start 

The differences are meaningful, but the two worlds are connected by Caroline’s values as a storyteller. In both Texas and Montana, her heroines are strong without being perfect. Her heroes are honorable, even when they have been hurt or disappointed. Her romances ask whether people can move beyond fear, grief, betrayal, or danger to create a loving future. 

Cottonwood Springs and Texas Towns 

A town can become as memorable as any character in a Western romance. 

In the Loving a Rancher series, Cottonwood Springs is an important Montana gathering point. It is where travelers arrive, where characters find help in emergencies, where friendships continue, and where new opportunities can begin. In Murdoch’s Bride, the town becomes the place where a train accident and an approaching blizzard leave three women desperate for shelter.  

In Bride’s Adventure, Amelia Douglas returns to Cottonwood Springs to open a millinery shop. Her determination to build a business gives the story a different kind of frontier adventure. She is not only looking for love; she is building independence, earning a living, and learning whom she can trust.  

Texas towns such as Tarnation and Radford Crossing offer a different community rhythm. In Tarnation, the women of the Bride Brigade arrive together, and their friendships remain a key part of the series. In Radford Crossing, the Men of Stone Mountain, Texas stories include ranchers, sheriffs, families, and neighbors whose lives overlap from book to book.  

The contrast is not simply Montana versus Texas. It is also the feeling of arriving somewhere unknown versus the feeling of helping an established town become stronger. 

The Women Who Begin Again 

Whether a story is set in Texas or Montana, Caroline often wrote about women who need a new start. 

In the Montana series, several heroines travel west because their former lives have become unsafe or impossible. Mara O’Sullivan flees after testifying against bank robbers. Gormlaith McGowan arrives to find that the man she intended to marry has died. Zenobia Stanton escapes threats from her stepfather. Vanessa Worthington must protect herself and her children after learning that her late husband left them without a home.  

Texas heroines face equally serious obstacles. In Brazos Bride, Hope Montoya fears someone is trying to poison her. In Bluebonnet Bride, Rosalyn escapes after being wrongly convicted and brings her young daughter with her. In Winter Bride, Kendra Murdoch flees with her nieces and nephew after a family tragedy.  

What changes is the landscape surrounding their courage. 

In Texas, a heroine may find help from a town’s established web of people: a sheriff, a café owner, friends, a minister, a doctor, or a ranch family. In Montana, the early stages of a new life may feel lonelier. A heroine may be arriving by train, coping with weather, learning unfamiliar ranch work, or wondering whether a practical marriage can ever feel like a true partnership. 

Both settings give readers something deeply satisfying: women who do not allow their pasts to decide their futures. 

Why Texas Readers Should Try Montana 

If you already love Caroline Clemmons’ Texas books, the Loving a Rancher series is a natural next read. 

You will still find: 

  • Strong women who face hardship with courage 
  • Ranchers and other Western heroes who value loyalty and family 
  • Mail-order brides and marriages of convenience 
  • Frontier towns, ranch homes, and the challenge of starting over 
  • Danger, suspense, emotional healing, and happily-ever-afters 
  • Connected stories that let readers return to familiar places and people 

What Montana adds is a fresh atmosphere. 

The harsher weather and more isolated ranch settings raise the emotional stakes. A blizzard can force strangers into the same home. A difficult journey can leave a woman with no choice but to accept help. A rancher’s patience can matter more than a dramatic declaration because a newcomer must learn how to survive and belong in an unfamiliar place. 

The Loving a Rancher series has the same generous heart that readers find in Caroline’s Texas stories. It simply tells those stories amid mountain country, winter weather, ranch work, and the frontier town of Cottonwood Springs. 

For readers who enjoy Caroline’s Texas worlds, Montana is not a departure from what you love. It is another road into it. 

Wednesday, August 19, 2026

Eye of the Beholder by Linda Shenton Matchett


Eye of the Beholder
by Linda Shenton Matchett

Book Blurb:

Shunned for his appearance, a disfigured veteran encounters acceptance and love where he least expects it. 

Left with physical and emotional scars after the Great War, Hank Drake has been shunned by polite society as the Ugly Duckling. Fine by him. He’d much rather be alone. Until he meets the kind proprietress of a tea stand at New York’s World’s Fair who isn’t repulsed by his appearance. Can he hope for acceptance…or even love? 

Grace Sutton has no interest in marrying and is tired of her parent’s snide comments that she’s still single on the eve of her 40th birthday. After she loses her job thanks to budget cuts, she decides it’s time to follow her dream of feeding others. Armed with Mrs. Canfield’s cookbook, she opens a refreshment stand at the World’s Fair unaware how one man will turn her life upside down and upset the apple…er, tea cart. 

Excerpt:

 Crash!  

Grace’s cart shifted, and a stack of plates fell off the counter, shattering as they hit the ground. She flinched, then whipped up her head to see a cup teetering toward the edge. Heart racing, she grabbed the teacup as her gaze bounced over her displays. Nothing else seemed in danger of falling.  

A groan sounded, and breath ragged, she craned her neck to find the source of the noise. Nothing. Careful not to walk through the shards of china, she circled the cart and gaped at the burly man dressed in an expensive-looking brown suit, lying on his side. His face was a deep red, and he scowled as he struggled to sit up. Pointing at her, he shouted, “This is all your fault.” 

“My fault?” Grace cocked her head as her pulse ratcheted up again and a crowd formed. Would this man’s accusations close her down? “How is this my fault?” 

She backed up as he pushed himself to his feet and snarled, “Your stupid cart, or whatever you call this thing, is in the middle of the walkway. You have no right to be here.” His words were slurred, and even from a distance she could smell alcohol on the man’s breath. 

Knees threatening to buckle, she straightened her spine to appear brave. “I was assigned this location by the fair’s committee, sir, so in fact, I do have a right to be here.” 

“Look, missy, I don’t know who—” 

“Good afternoon, sir. Is there something I can do to help?” 

Grace gaped as a man dressed in navy-blue pants and a light-blue long-sleeved shirt embroidered with WFC above the right breast pocket approached. A charcoal-colored fedora was pulled low on his forehead, and a blue-and-white handkerchief covered the lower portion of his face. A canvas bag was strapped over one shoulder, and he carried a trash hook. One of the fair’s custodial staff. He sent Grace a silent question with his eyes, and she nodded in response.  

The guest swayed as he narrowed his eyes at the employee. “And who might you be?” 

“Hank Drake. I’m employed by the World’s Fair Corporation. And you are…?” 

“None of your business.”  

“All right, but I must tell you that the World’s Fair Corporation takes the safety of its guests and vendors seriously, so I can help you find somewhere to rest, or if you’re able to walk, I can lead you to one of the medical facilities to have you looked at after your fall.” 

Face mottled, the man growled, “I don’t need help, especially from someone like you. A janitor. Someone who cleans up trash. Someone who is apparently so ugly, his boss told him to cover his face. How dare you talk to me like an equal. Do you know who I am?” 

“No, sir. You wouldn’t give me your name.” 

With a loud huff, the man brushed off his suit, ignored Grace, and shot Hank a condescending glare before shoving his way through the throng of people who’d gathered. 

Grace’s eyes prickled with unshed tears, and she blinked. How awful for Hank to be treated so poorly, and apparently it was a regular occurrence. What was wrong with people?  

Author Bio:


Linda Shenton Matchett writes happily-ever-after historical Christian fiction about second chances and women who overcome life’s challenges to be better versions of themselves.  

A native of Baltimore, Maryland, she has lived in historical places all her life. Now in NH, she is a volunteer docent and archivist at the Wright Museum, immerses herself in the imaginary worlds created by other authors, and drinks copious amounts of tea. 

Social Media Links: 

Website/Blog: http://www.LindaShentonMatchett.com 

Facebook Reader’s Page: www.facebook.com/groups/lindashentonmatchettsreadersgroup/ 

Pinterest: http://www.pinterest.com/lindasmatchett 

YouTube: https://www.youtube.com/@lindamatchett 

BookBub: https://www.bookbub.com/authors/linda-shenton-matchett 

Monday, August 10, 2026

The Half Kasst by Delilah Belvedere

 

 


An ancient bloodline.

A forgotten war.

A woman destined to awaken both. 


The Half Kasst

by Delilah Belvedere

Genre: Paranormal Vampire Romance, Urban Fantasy 

After a charged encounter ignites something ancient in her blood, Sarai Davis becomes entangled in a world of hidden magic where pleasure and danger are inseparable.

A shocking prophecy shatters her reality: Sarai is a Half Kasst, descended from an erased bloodline and born to stand against a secret network of aristocratic vampires.

Now hunted, Sarai must reclaim a legacy meant to be wiped from history, and embrace her power before the forces hunting her finish what they began millennia ago. But power always demands payment.

 

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Kate adds, “She is right, Sarai. You must feed. If Half Kassts are anything like vampires, you don’t want to experience what starvation is like. My father…”

She pauses, looks around the room, then continues.

“My father punishes vampires who don’t follow his rules by locking them up, and he does not provide them any blood. It’s terrible. They wither away for years; their screams get weaker in just weeks, and after a few months, you don’t even hear them anymore.”





Delilah Belvedere is a Kenyan-born, Washington, D.C.–based author and keynote speaker whose stories weave together mythology, sensuality, and power. Her writing blends African-inspired mythology with nontraditional vampires, witches, immersive worldbuilding, and unapologetically sensual storytelling, exploring themes of identity, legacy, and self-discovery through bold, unforgettable characters. Drawn to the spaces where ancestral magic, forbidden desire, and hidden histories collide, Delilah creates worlds where passion is transformative, power is inherited, and destiny is written in blood. Through every story, she champions authenticity, body positivity, curiosity, and the courage to embrace one’s truest self. When she’s not writing, Delilah is exploring new cuisines, hosting backyard BBQs, or binge-watching her next favorite series.

 

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Saturday, August 08, 2026

Four Brides, Four Journeys: Bride Brigade Books 1–4


 My mother, Caroline Clemmons, built the Bride Brigade series around a simple but powerful idea: seven women, each carrying a different wound, each finding her way to a small Texas town called Tarnation in search of a second chance. Today I want to take a closer look at the first four books in that series—Josephine, Angeline, Cassandra, and Ophelia—and the very different journeys each woman travels on her way to love. 

Josephine: flight to freedom 

The series opens with Josephine Nailor, a young woman raised in a home where her father made every decision and left no room for her own voice or choices. Alongside her best friend Ophelia, Josephine lives under that kind of rigid control until she spots a newspaper advertisement offering an escape—a chance at a new life, first in Richmond and eventually in Tarnation, Texas. 

What strikes me most about Josephine's story is how deliberate her courage is. She doesn't run blindly; she brings Ophelia with her, refusing to leave her best friend behind. That loyalty defines her character from the very first pages. 

In Richmond, Josephine meets Lydia Harrison, the widow who becomes the quiet architect behind the entire Bride Brigade, and eventually, in Tarnation, Michael Buchanan, the town's mayor and mercantile owner. Michael holds real power in the community, which should terrify a woman who has only known men who use power to control. Instead, Josephine slowly discovers that authority and respect aren't opposites. Her arc is fundamentally about trust—learning that a man in charge can also be a man who listens, and that freedom doesn't have to mean being entirely alone. 

Angeline: healing from trauma 

If Josephine's wound is oppression, Angeline Chandler's is something far darker. She arrives in the Bride Brigade already carrying the aftermath of a brutal attack, disowned by her own family and pregnant, with almost no options left in the world she came from. 

Where Josephine had to learn to trust a good man, Angeline first has to learn to believe she deserves one at all. Her healing doesn't begin with romance—it begins with work, as she takes a position as nanny for Grady McIntyre, the town's widowed minister. Only slowly does she let herself imagine that his growing feelings for her might be real, rather than something that would vanish the moment he learned her full story. 

Reading Angeline's book right after Josephine's, you can feel how deliberately my mother raised the emotional stakes. This isn't simply another woman needing rescue—it's a woman who has survived the unthinkable and must decide whether she's allowed to want more than survival. Grady's own faith and his willingness to risk his reputation for her becomes just as important to the story as Angeline's healing itself. 

Cassandra: mutual deceptions 

The third book shifts the emotional terrain again. Where Josephine and Angeline are victims of others' cruelty, Cassandra's story centers on deception—not one-sided, but mutual. Both she and the hero enter their relationship with secrets, each hiding something the other doesn't know, which raises a much harder question than the first two books: can love survive when both people have been less than honest? 

This is where the Bride Brigade series starts asking readers to sit with more complexity. After two books built around heroines who did nothing to deserve their circumstances, Cassandra's story asks for more nuance. People make imperfect choices when they're desperate or afraid, and my mother believed that those choices didn't disqualify anyone from love or belonging in Tarnation. Watching Cassandra and her hero untangle their mutual deceptions—and choose honesty even when it's frightening—makes this one of the more emotionally layered books in the series. 

Ophelia: the search for respectability 

The fourth book circles back to where the series began. Ophelia is Josephine's best friend, the woman who fled the same oppressive hometown at Josephine's side. But where Josephine's arc centers on trust, Ophelia's centers on something quieter and, in some ways, just as difficult: respectability. 

How does a woman without status, family standing, or a spotless reputation find her place in a community that measures worth by propriety? This was a real question for women of that era, and my mother didn't shy away from it. Ophelia's journey asks whether love and belonging require a flawless reputation, or whether a community—and a particular man—can see her worth beyond whatever the town happens to be gossiping about that week. 

Her story reinforces a theme that runs through the entire series: Tarnation is a place where people are given the chance to be judged for who they are now, not just for their past or their circumstances. That idea meant a great deal to my mother, and I think it's part of why readers connect so deeply with Ophelia's book. 

Four brides, four distinct journeys 

Read together, these first four books trace very different emotional territory: 

  • Josephine: learning to trust after escaping oppression. 
  • Angeline: rebuilding self-worth after trauma. 
  • Cassandra: finding honesty after mutual deception. 
  • Ophelia: claiming belonging despite a lack of respectability. 

What I appreciate most, looking back at these books now, is how carefully my mother avoided repeating herself. It would have been easy to write four variations on the same "wounded woman finds love" story, but instead, each book asks something genuinely different of its heroine—and of the reader. 

Reading them in order (or not) 

Each of these four books stands completely on its own. You can pick up Cassandra's story without having read Josephine's, and you'll still find a complete, satisfying romance. But there's something special about reading them in order. Lydia Harrison's presence connects all four women, and small details—friendships formed, town gossip, familiar faces at the mercantile or the church—deepen with each book you read. 

Starting with Josephine and moving through Angeline, Cassandra, and Ophelia lets you watch Tarnation itself grow more familiar, the way a real town would if you kept visiting it season after season. My mother built these connections carefully, and I think readers who take the books in sequence get to see her craftsmanship in a way that's easy to miss if you jump around. 

Whether you're new to the Bride Brigade series or revisiting these four brides for the first time in a while, I hope you'll find in them what I still find every time I reread them: proof that a wounded woman, given the right kind of second chance, can build a life far richer than the one she left behind. 

Wednesday, August 05, 2026

Secrets of the Cryptids by Sharon Buchbinder

 

 


She never belonged to the pack—until fate led her to him.


Secrets of the Cryptids

Cowboys and Cryptids Book 1

by Sharon Buchbinder

Genre: Paranormal Romance, Romantasy



She never belonged to the pack—until fate led her to him.

Cybersecurity expert Hayil Rufus Rose has spent her life hiding one impossible truth: she’s a werewolf who has never shifted, a failure by her pack’s rules and a woman on the brink of exile. A solo hike in Glacier National Park is meant to clear her head—but instead, a chance meeting with Will Penn, a guarded federal agent with powerful instincts and secrets of his own, changes everything.

As Hayil becomes entangled in a missing persons case involving Will’s brother, she uncovers corruption, cartel money laundering, and violence threatening the Blackfeet Nation. She forms an unexpected bond with a Bigfoot family, who are not monsters, but an ancient people who recognize her latent power. Through trauma, loyalty, and near‑fatal danger, Hayil finally undergoes her full transformation, claiming her identity at last.

Secrets of the Cryptids launches a thrilling paranormal romance series about found family, fierce hearts, and the courage it takes to become who you were always meant to be.

 

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Hayil had the advantage of excellent night vision—super vision compared to other humans. Plus, she possessed an almost uncanny ability to connect with most wild and domestic animals. Hayil mentally grimaced. She could also thank her grandmother for her long overdue ability to shift. What would it take to trigger her body into the lupine version of herself? Was it like a growth spurt that hadn’t hit her body yet? Or was Hayil destined to remain the one person in her pack who wasn’t able to wolf out?

 

Once again, her mother’s constant refrain came back to her: “You’re a late bloomer, like your grandmother. She was older than you when she shifted. All in good time. You’ll see.”

 

Sure, Mom.

 

Hayil knew her mother wanted the best for her, but found her cheerfulness a bit forced. Beneath her mother’s optimism, Hayil sensed an undercurrent of concern about her thirty-year-old daughter’s ability to integrate into the red wolf clan. This missing piece of Hayil’s identity called to her like a siren’s song, demanding she complete herself. Would she ever be a true part of the pack? Or would she forever be the unmated one? What then? She was an anomaly, something the pack didn’t tolerate well. Tradition dictated that if a pack member didn’t shift by the end of their third decade, they were banished.

A chilling thought struck Hayil mid-stride.

 

If I don’t shift this year, will they force me out of the pack?

 

They were the only family she’d ever known. Her mother would fight for her to stay and would probably win. But at what cost?

 

Hayil would be an outcast. She’d never be invited to pack meetings, deliberations or celebrations. Those were reserved for shifters. If she married a non-shifter, the pack would drive her out, of that she was sure. What if her offspring were able to shift? Would that make things better? Would the pack let her stay then? It wasn’t as if she could go to a genetic counselor and ask for a DNA test for werewolves.

 

The thought of losing her extended family through no fault of her own made her gulp back tears. Angry at herself for allowing her thoughts to go down that dark rabbit hole, Hayil reminded herself she was a scientist. Review the facts, not the fears.

 

Fact one: Grandma had been in labor with Hayil’s mother when she’d shifted for the first time.

 

Fact two: The majority of the pack members had shifted when they’d hit puberty.

 

Fact three: Hormones! It had to be related to hormones! The rush of hormones at puberty and the flood of pregnancy hormones had to be related somehow.

 

Hayil was long past puberty and the associated mood swings and acne, thank you very much. She was not ready to be pregnant. For starters, she would need a romantic partner in her life. She’d had zero luck on that score so far.

 

“I still have time. It’s not too late. I won’t give up hope.”

 

Shaking her head to clear her mind, Hayil double-checked her wild animal deterrents. All in place. Then she tugged her knit cap down over her ears and pulled her hands-free headlamp into place. She zipped her fleece jacket against the breeze and adjusted her twenty-five-pound backpack. With an altitude gain of almost nineteen hundred feet, she planned to take her time, pacing herself for the strenuous four-hour hike. She grasped her lightweight hiking poles and took a last look up at the stars. Time to see that spectacular view at the top.

 

As promised by the trail blog, the dirt path was well maintained. The morning air was cold and crisp, layered with the woodsy scent of damp earth and pine needles. An owl hooted, and Hayil spotted movement in the brush between the thick pines beside the trail. Her headlamp reflected in the eyes of small critters, all of whom skittered deeper into the woods.

 

For three hours, all she heard was the crunch of her hiking boots on dirt and gravel, the rasp of her own breaths, the glug of water when she drank and the jingle of her bear bells. She looked at yet another incline on the trail and decided she needed a hiking song for inspiration.

 

“Country roads, take me home,” she sang, belting out “Mountain Mama”—and something crashed through the bushes ahead on the trail. Something large.

 

She froze.

 

An enormous black bear stood on its hind legs at the top of the hill.

 

Shit, shit, shit. If only I could shift, shift, shift!

 

The animal had its back to her, but if it got her scent, it could turn and charge at her in a flash.

 

Heart pounding like a jackhammer, she placed her hand on the bear spray.

 

A breeze sprang up, making her eyes water with its intensity. The good news was that it meant she was downwind of the bear. The bad news was that the air smelled like a wet dog had rolled in a dead animal. The worst news was that the bear turned and looked right at her.

 

Omigod. It’s not a bear. What the heck is it?






Sharon Buchbinder is an award-winning author who has been writing stories since she could hold a pen. The paranormal romance genre is her writing home, a place where the impossible is simply the beginning, where women find their power in the most extraordinary circumstances, and where love is always worth the danger of seeking it.

A Maryland-based author with a background in healthcare and higher education that has informed her vivid, grounded storytelling, Sharon is drawn to heroines who have been underestimated — women who carry something extraordinary inside them and spend the whole book learning to trust it. Sharon believes passionately that readers deserve stories where the heroine doesn’t just survive — she transforms. When she’s not writing, Sharon can usually be found unplugging in her garden, obsessing over cryptid mythology, and convincing her pets they are not, in fact, supernatural.

 

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