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The verdict’s in. He’s guilty of falling for the opposing counsel.
Nick Adams doesn’t have time for the existential crisis he’s having.
But when I wind up being charged with contempt of court and discover her at the shelter where I’m serving community service, she brings out a side of me I’ve never seen. Could this be the true Nick?
B.J. McCaffrey doesn’t form attachments with anyone.
And playboy counselor Nick Adams would be the last person on the list if I did. But, then again, this isn’t exactly the Nick Adams that people have made him out to be.
Could he heal his broken heart by discovering that, despite outward appearances, she has one? One thing’s for sure. It’s hell being the DEVIL’S ADVOCATE!
He was hired to be her shield, but he never expected she’d
be the one to pierce his heart.
The Protection
Agreement
The Agreement Series Book 4
by A Akinosho
Genre: Age Gap Billionaire Bodyguard Romance
Duty or desire—he’s
sworn to keep her alive.
But staying close blurs the line.
When a threat puts her life in danger, there’s only one man capable of
protecting her—a ruthless bodyguard with a fearsome reputation and loyalty
carved into his bones. The problem? His family and hers are sworn enemies. And
he learned to hate her last name long before he ever knew her.
This is duty.
A contract.
Nothing more.
Shared space. Constant protection.
No attachment. No temptation.
Forced proximity turns restraint into tension. Hatred softens. Awareness
sharpens. Desire becomes impossible to ignore.
She’s a damsel in distress who refuses to be fragile. He’s a possessive
protector bound by duty, fighting feelings he has no right to claim. Every
glance is forbidden. Every moment together is a betrayal written in silence.
As enemies close in and pressure mounts, distance becomes impossible.
Because the longer he stands between her and danger, the harder it is to
remember where duty ends—and desire begins.
He was sworn to keep her alive.
He just wasn’t prepared for what it would cost him.
Touch her… and die?
**NEW RELEASE ON APRIL 24TH!!**
Bruce
Lexi returns from her room and takes the seat next to
me. I’ve concluded that we are fighting
a losing battle. It’s just a matter of time before the attraction between us
takes over and its fiery flame burns through us. We are quiet, our eyes are trained
on the movie even as I’m provocatively attune to her presence, her allure is
seeping into every nook and cranny of my being. It doesn’t take long before she leans into
me. I don’t move out of her reach. She’s soft and warm in my arms and my whole
being is responding to her closeness. I need to get her in bed. I move
her head from my shoulder.
“Hmm,” she groans. “Kiss me, Bruce,” she whispers. I pause
for a moment, convinced I didn’t hear her.
“What did you say?” I ask, betting
she doesn’t realize what she asked of me.
“Kiss me, Bruce,” she says, her voice barely audible. “I
want you to kiss me. I took my meds.“ A chuckle
escapes her “Be aware that I may not remember in the morning, so make it good
so I can dream of you.” She grins, though a bit out of it.
I want her to remember, and I shouldn’t grant her request,
but I’ve been dying to kiss her, so who am I to deny her request especially
when she wants to dream of me. I shift positions so she’s on her back and I
kiss her lips gently and she opens her mouth to let me in. I kiss her with the
fervor of a starved man that I am. Her tongue swirls sweetly with mine. She
wraps her arms around my neck and pulls me closer and deeper to her. My tongue
is seeking every inch of her mouth, my body is intensely aroused. A soft moan
escapes her, it sends a charge through my body.
I can probably make love to her now and she wouldn’t stop me,
but I also want her sober and consenting plus I want her to always remember us,
every touch, every kiss and every thrust of me inside her. I slowly pull away.
Breaking the sweet feel of our kiss.
Fuck, I just
kissed Jonah’s girl and I fucking like it.
She smiles. “Goodnight, Bruce.”
She turns to her side and sleeps like she didn’t just break through
every resistance shield of mine. I sigh because looking at her, I want more. I
feel it in the blood thumping in my veins. My ragged breath that I fucking need
to control. My hands running through my hair in exasperation of what I’ve just
done. I know there’s no going back now.
Leaning down, I lift
her in my arms. She giggles like a little girl. I should leave her in her room,
but I’ve a need for her closeness, I can’t explain or control. I move
slowly with her asleep in my arms and place her gently in my bed. She curls to
her side and sleeps off. I sit on the bed for a moment watching her, “she
can’t leave” the voice that slams in my head. Just as Declan’s words a
while ago “when you kiss the one, you never want another” I feel the
weight of what I’ve done. Kissed the one but she belongs to another man and not
just any man. A man that hates my guts, paid me to keep her safe and sternly
warned me not to touch her. I now know why, he made that request because he knows
once I did.
He and I would be at war. Yet I find myself willing to go to
war for her. Damn it
I move closer and kiss her temple, my palm gently touching
her face. A giggle escapes her and I wonder if she’s dreaming of me. I cover her and get off the bed. I go into
the bathroom to shower and relieve the monster awakening between my legs. I get
temporary relief. Wrapping my towel around my waist. I peep to check on her.
She’s knocked out. I put sleeping pants on and get in bed with her, pulling her
into my arms and she doesn’t resist.
**Don’t miss the
rest of the books in the series!**
Find them on Amazon
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Here are five ways Easter and spring naturally appear in western historical fiction, and why those moments resonate so deeply with readers.
Church was one of the few community institutions that took root almost as soon as settlers did, and Easter Sunday was one of its biggest days of the year. In western historical fiction, an Easter service can do a remarkable amount of storytelling work in just a few pages.
Picture a small congregation crowded into a clapboard church barely bigger than a barn, or a circuit preacher arriving on horseback just in time to hold services under an open sky. Easter meant:
For characters carrying grief—a widow rebuilding after loss, a rancher starting over after a failed first venture—that Easter message lands differently than it would in a comfortable eastern parlor. And for readers, those scenes carry genuine emotional weight.
In the historical West, spring planting was not optional. It was the difference between eating and not eating come winter. That urgency gives spring garden and field scenes a tension that purely decorative settings never quite achieve.
In western historical fiction, the planting season often marks a turning point:
Seed catalogs, which began reaching frontier homes in the latter half of the nineteenth century, appear in period fiction as small miracles. Imagine a woman poring over descriptions of vegetables and flowers she has never grown, making careful choices about what to order with very little money. That catalog is her plan for the future written on paper.
Spring planting also carried the weight of everything that could go wrong—late frost, drought, grasshoppers, flooding. That vulnerability keeps frontier hope from feeling naive. These characters know the risks. They plant anyway.
After a hard western winter, color comes back to the land gradually and then all at once. For readers and writers of western historical fiction, that return of color is deeply satisfying—and symbolically rich.
Different regions brought different blooms:
In fiction, wildflowers can mark the emotional turning point of a story. A heroine who arrived in the West in the dead of winter, doubting every choice she made, steps outside one April morning to find the world has gone gold and blue while she wasn't looking. It doesn't fix her problems, but it gives her a reason to stay.
Wildflowers also give western heroes a rare chance at tenderness. A rough-edged rancher who stops work to let a patch of wild columbine bloom undisturbed, or who brings a handful of field flowers to a woman who has had very few gentle moments—those small details build character quietly and effectively.
Frontier families did not leave all their traditions behind when they crossed the Mississippi. They carried them west in memory and practice, adapting as needed with whatever materials the land offered.
Easter traditions that appear in western historical fiction include:
These traditions, adapted to frontier conditions, connect characters to the homes and families they left behind. They also show readers that the West was settled by whole people—people who missed things, who tried to hold onto beauty even when life was hard, and who believed that celebration still mattered when there wasn't much to spare.
In western historical fiction, spring often arrives at the same time a romance is finding its footing—and that parallel rarely feels accidental. The season does thematic work that supports the story without the author having to spell it out.
Spring in the story arc can signal:
One of the things I love most about writing western historical fiction is that the land itself keeps time. Readers feel the turn of the seasons as a real, physical thing—not just a backdrop, but a participant in the story. Spring's arrival, with all its wildness and hope and risk, is one of the most powerful tools a Western author has.
Whether it's an Easter Sunday that draws a lonely widow back into her community, a garden planted as an act of stubborn faith, or a hillside gone brilliant with wildflowers overnight, spring in the historical West carries a particular kind of promise. It has been tested by winter. It knows what it costs to return. And it comes back anyway—which is really the heart of every good Western romance.
Aristocrat. Outcast. Picara. Slave. Ruler ....
She is descended from the masters of the universe.
To hold her he challenges the gods
themselves.
Wind From the Abyss
The Silistra Quartet Book 3
by Janet Morris
Genre: Dystopian Epic SciFi Fantasy Romance
Dystopia. Fantasy. Science fiction. Allegory. Political.
Wind from the Abyss is the third volume in Janet Morris'
classic Silistra Quartet, continuing one woman's quest for self-realization in
a distant tomorrow.
Aristocrat. Outcast. Picara. Slave. Ruler .... She is
descended from the masters of the universe. To hold her he challenges the gods
themselves.
Praise for Janet Morris' Silistra Quartet:
"The amazing and erotic adventures of the most
beautiful courtesan in tomorrow's universe." -- Fred Pohl
"Engrossing characters in a marvelous adventure."
-- Charles N. Brown, Locus Magazine.
"The best single example of prostitution used in
fantasy is Janet Morris' Silistra series." -- Anne K. Kahler, The
Picara: From Hera to Fantasy Heroine.
This Perseid Press Author's Cut Edition is revised and
expanded by the author and presented in a format designed to enhance your
reading experience with larger, easy-to-read print, more generous margins, and
covers designed for these premium editions.
Wind from the Abyss starts with this . . .
"Since, at the beginning of this tale, I did not
recollect myself nor retain even the slightest glimmer of such understanding as
would have led me to an awareness of the significance of the various
occurrences that transpired at the Lake of Horns, I am adding this preface,
though it was no part of my initial conception, that the meaningfulness of the
events described by "Khys' Estri" (as I have come to think of the
shadow-self I was while the dharen held my skills and memory in abeyance) not
be withheld from you as they were from me. I knew myself not: I was Estri
because the girl Carth supposedly found wandering in the forest stripped of
comprehension and identity chose that name. There, perhaps, lies the greatest
irony of all, that I named myself anew after Estri Hadrath diet Estrazi, who in
reality I had once been. And perhaps it is not irony at all, but an expression
of Khys' humor, an implicit dissertation by him who structured my experiences,
my very thoughts, for nearly two years, until his audacity drove him to bring
together once more Sereth crill Tyris, past-Slayer, then the outlawed Ebvrasea,
then arrar to the dharen himself; Chayin rendi Inekte, cahndor of Nemar,
co-cahndor of the Taken Lands, chosen son of Tar-Kesa, and at that time Khys'
puppet-vassal; and myself, former Well-Keepress, tiask of Nemar, and lastly
becoming the chaldless outlaw who had come to judgment and endured ongoing
retribution at the dharen's hands. To test his hesting, his power over owkahen,
the time-coming-to-be, did Khys put us together, all three, in his Day-Keeper's
city -- and from that moment onward, the Weathers of Life became fixed:
siphoned into a singular future; sealed tight as a dead god in his mausoleum,
whose every move brought him closer to the sum total, obliteration. So did the
dharen Khys bespeak it, himself. . ."
“Morris, so good
at giving us characters we can identify with, characters we can love and hate,
strikes at the very heart of the human condition and the duality of humanity —
both good and evil. Her prose is lean and spot-on, every word carefully chosen
to enhance the milieu of her imaginary world and advance the plot, giving us
access to the thoughts, emotions and machinations of the people whose stories
she is presenting to us. Once again, she gives us a “thinking man’s” science
fiction/fantasy that explores the nature of power and sexuality, and how they
can be used, misused and abused. This is a brilliant, mature and very adult
novel that will not only leave you thinking about your own place in the
universe, but questioning the very nature of existence.” – Goodreads reviewer
I.In Mourning for the
Unrecollected
*Don’t miss the
previous books in the series!**
Best selling author Janet Morris began writing in 1976 and
published more than 30 novels, many co-authored with her husband Chris Morris
or others. She contributed short fiction to the shared universe fantasy series
Thieves World, in which she created the Sacred Band of Stepsons, a mythical
unit of ancient fighters modeled on the Sacred Band of Thebes. She created,
orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing
stories for the series as well as co-writing the related novel, The Little
Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the
1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss,
and The Carnelian Throne. This quartet had more than four million copies in
Bantam print alone, and was translated into German, French, Italian, Russian
and other languages. In the 1980s, Baen Books released a second edition of this
landmark series. The third edition is the Author's Cut edition, newly revised
by the author for Perseid Press. Most of her fiction work has been in the
fantasy and science fiction genres, although she has also written historical
and other novels. Morris has written, contributed to, or edited several
book-length works of non-fiction, as well as papers and articles on nonlethal
weapons, developmental military technology and other defense and national
security topics.
Janet said: 'People often ask what book to read first. I
recommend "I, the Sun" if you like ancient history; "The Sacred
Band," a novel, if you like heroic fantasy; "Lawyers in Hell" if
you like historical fantasy set in hell; "Outpassage" if you like
hard science fiction; "High Couch of Silistra" if you like far-future
dystopian or philosophical novels. I am most enthusiastic about the definitive
Perseid Press Author's Cut editions, which I revised and expanded.'
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When her world
loses its color, he’s the only one who can help her find the brush again.
Lance
Loving a Lancaster Book 4
by Stacy Eaton
Genre: Contemporary Small-Town Romance
As a Forensic Accountant, Lance Lancaster lives on facts and
the small details that get overlooked. When his firm takes on a new client, and
Aurora Moonshadow enters the room, the facts he lived by and relied on quickly
begin to vanish, leaving him in the unknown territory of protective gemstones
and Navajo folklore.
Aurora Moonshadow believes in signs and living every minute to the fullest.
After her father passes and she takes over the family business, she finds
herself unable to understand the dire situation her father left behind. That is
until Lance arrives to help her. The creativity that has been hidden by grief
quickly emerges after meeting him, and Aurora is on top of the world until her
protective bracelet breaks.
When Aurora goes missing, Lance returns to Sedona and will do just about
anything to help find her. Learning that she started painting again after their
one night together makes Lance even more determined to locate her and bring her
home safe.
Will they be able to find Aurora before everything she loves is destroyed,
including herself? Or will Lance be left with only her final painting?
Lance is the fourth book in the Loving a Lancaster Series.
This series spin-off of the Loving a Winston Series, which spins
off the Loving a Young Series.
**NEW RELEASE!**
**Don’t miss
the rest of the Loving a Lancaster series!**
Leo, Book 1
Luna, Book 2
Levi, Book 3
Lance, Book 4
Find them on Amazon!
Stacy Eaton is a USA Today Bestselling author and began her
writing career in October of 2010. Stacy took early retirement from law
enforcement after over fifteen years of service in 2016 due to a second serious
concussion. Her last three years on the job were in investigations and crime
scene investigation. She now writes full-time.
Stacy resides in southeastern Pennsylvania with her husband,
who works in law enforcement. She has a daughter in college and a son who is
currently serving in the United States Navy.
Stacy writes a variety of genres, but mostly romance. She
enjoys writing real-life stories that people can relate to with real-life
problems, emotions, and solutions.
Her favorites: Classic cars, photography, Disney, music,
coffee, and her favorite sweatshirt that says, You are dangerously close to
getting killed in my next novel.
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Some fires are set...others are felt
Firestorm
by Dana Wayne
Genre: Contemporary Small Town Romance
The greatest danger may lie in the firestorm burning
between them
Jenna McCray dedicated her life and trust fund to helping others succeed
through her charitable foundation, Pathways Mission. After a self-imposed
hiatus, her first venture back into the dating pool is an unmitigated disaster
witnessed by many, including hunky Fire Marshall Thomas Donovan.
Donovan had a profound mistrust of the upper crust—until Jenna McCray. One
photo in the paper. That’s all it took. Regal. Composed. A killer smile. She
looked straight into the camera…and into him--and he hadn’t even met her yet.
When he finally did, the effect was seismic. Prim, proper, and utterly
magnetic. Something primal flared to life inside him, and he was powerless
against it. Calling her “The Ice Queen” didn’t help. Mocking was easier than
admitting she'd gotten under his skin long before they even spoke.
When a fire ravages her business on the same night someone vandalizes her home,
he wonders if the incidents are connected and searches for answers.
But someone wants to keep their secret buried.
As danger escalates, so does the blistering chemistry between Jenna and
Donovan, and he vows to protect her at all costs—even if it means risking
everything.
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Jenna
shrieked and jumped up, toppling her chair and stumbling into someone behind
her, who then collided with a waiter carrying a water pitcher, sending all
three to the floor in a shower of ice-cold water.
She
landed partially on top of the man, his arms around her waist as he bore the
brunt of the fall. Another scream lodged in her throat when she saw it resting
on her thigh.
Suddenly,
his hand moved, and the spider vanished.
“You’re
okay,” murmured a husky voice against her ear. “It’s gone. You’re okay.”
Laughter
filtered through a fog of humiliation. She’d freaked out—in a public place and
lay on the floor atop a total stranger while Oscar did nothing but watch, a
self-satisfied smirk on his face.
“Something
wrong, Jenna?” he crooned.
“I
t-t-told you I h-hate spiders.” Her body trembled, and she couldn’t control the
quiver in her voice.
The
man’s arms tightened slightly.
“Did
you?” cooed Oscar. “I must have forgotten.”
***
Donovan
couldn’t believe his eyes when he first saw Jenna McCray in person tonight. All
prim and proper, like butter wouldn’t melt in her mouth, and his crazy heart
raced like a runaway train.
She’d
dominated his thoughts from the moment he saw her picture in the paper two
weeks ago. Hell, he’d even cut the damn thing out and kept it in his desk. How
pathetic was that?
Everything
from her regal posture to how she sipped the wine screamed money and class.
Coffee-colored hair pulled into a tight bun at the nape, and pearl studs in her
ears emphasized the delicate bone structure of her face and the fullness of
ruby-colored lips. The basic black dress and single strand of pearls would look
simple on most women. On her, it was elegant.
When
their gazes locked briefly, the jolt of desire was so potent it shocked him.
The
returning look of interest stole his breath.
Every
unexplained feeling he’d endured the last two weeks hit like a tidal wave. It
took massive effort to walk calmly to his table.
Oscar's
joining her was an unpleasant shock. The man was dirty as mud. Why on earth
would a woman like her associate with him?
Thoughts
in turmoil, he decided to skip dinner and leave—until all hell broke loose.
He’d
never met anyone with arachnophobia, but judging by her reaction to a fake
spider, she suffered an extreme case. As snickers from the other patrons
registered, his protective instincts surged.
A
shudder rolled through her body, and she sucked in a jerky breath, mumbling
something he didn’t catch.
“It’s
gone,” he whispered. “You’re okay.”
She
made a move to stand, and he maneuvered to assist, one hand remaining on her
arm for stability.
“I’m
so sorry,” she muttered, avoiding eye contact and swiping at the water on her
dress. “I’ll pay to have your clothes cleaned.”
Face
flaming, she watched the waiter clean up the mess. “Oh, Alfred,” she asked. “Are
you all right?”
“I’m
fine, Miss McCray.” He nodded toward Oscar’s retreating figure. “And he’s to
blame—not you.”
Donovan
lightly squeezed her arm. “Ma’am? Are you okay?”
She
managed a shaky “I’m fine,” then swallowed. “Th-thank you. For helping me.”
Donovan clenched his teeth as his fantasy
dreams went up in smoke. She couldn’t even look him in the eye when she mumbled
insincere words of gratitude.
“Anytime.”
At
his terse response, dark, earnest eyes, filled with confusion and something he
couldn’t readily identify, whipped to his. Desire coursed through him, heady as
strong whiskey, leaving him off-balance.
She
frowned and retrieved a wallet from the bag on the table, pulled out a card and
some bills, then passed the money to Alfred. “If this isn’t sufficient for my
wine and the pitcher, please let me know.”
He
hesitated, then took the money. “It’s fine, Miss McCray.”
A
harried woman appeared from Donovan’s left. The manager—they’d met on a
previous visit, but he couldn’t recall her name.
“Oh
my God, Jenna. Are you all right?”
“I’m
fine, Katie. Embarrassed but unhurt.” She nodded toward Donovan. “This
gentleman broke my fall.” She nibbled her lower lip as though unsure of what to
do next. Inhaling, she passed him the card. “Thank you, Mr…”
“Donovan.”
“Mr.
Donovan. Please—”
“No
mister. Just Donovan.”
Lips
slightly parted, she hesitated. “Oh. Okay. Donovan. Please send me a bill for
the dry cleaning.”
“That’s
not necessary.”
“Yes.
It is.”
Cheeks
the brightest red he’d ever seen, her earnest expression softened.
“Please.”
That
one word curbed his resentment. He took the card, ignoring the tingle as their
fingers brushed.
“Donovan,”
said Katie. “Thank you for helping my friend.”
“No
problem, ma’am.”
“And
dinner’s on me tonight.”
“Actually,
I was just leaving.”
She
looked around. “Was something wrong with your table?”
He
shook his head. “Unexpected change in plans. I was on my way out when—this
happened.”
“Then
please accept a raincheck for next time.”
He
nodded, knowing he would never accept the offer, no matter how kindly extended.
Katie
rubbed Jenna’s shoulder. “Guess kicking him to the curb in a public place
wasn’t such a good idea after all, huh?”
Donovan
barely covered his surprise. So that’s what happened—good for her.
Jenna’s
gaze skipped from him to Katie. “No. It wasn’t.”
“I’ve
never seen you react that way before.”
She glanced
at Donovan. “I—it just surprised me. That’s all.”
He
immediately recognized the lie. She wasn’t surprised. She was terrified.
“I
told him they bothered me.”
And
that’s the understatement of the century.
“And you’d already told him to back off,”
added Katie, “so the creep had a Plan B to get even. I’m just happy you weren’t
hurt.”
This
time, when she looked at Donavan, her gaze held, and the intensity floored him.
A dark chocolate brown enhanced by a golden ring around the edges, they
glistened in the restaurant’s ambient lighting.
Or
was it unshed tears?
Texas Winds
by Dana Wayne
Genre: Contemporary Small-Town Romance
Two hearts shattered by betrayal. Once chance to trust
again.
Jake Holloway discovered his wife’s infidelity as she lay in
a coma, carrying a child that may not be his.
Four years later, his heart remains closed to all emotion. Lexie Morgan’s dream
of happily-ever-after ended the day she stood alone at the altar. The need to
put distance between her and the pain places her in the path of feral hogs and
Jake Holloway’s life. Neither is prepared for the intense attraction.
When Lexie meets his four-year-old daughter, Katie, the timid child with
downcast eyes steals her heart.
Forced to rely on Jake’s assistance, it’s impossible to ignore the escalating
pull.
But the past never dies, and resurrected hurts threaten their fragile bond.
Will the ever-changing Texas winds hold them together or reduce their love to
dust?
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Ankle and hip
throbbed in unison, and a growing headache added to the misery mix.
She took a breath
and looked around. The front bumper dug into the far side of the muddy
embankment, and the blown-out tire rested in muck halfway up the rim. Dingy
water in the ditch swirled around her feet and leached up her mud-coated pant
legs. Her disgusted gaze took in the filthy jeans and soaked and blood-coated
tee shirt. “Crap,” she muttered. “Brand new shoes.” She swiped a hand across
her cheek, leaving a streak of bloody mud in its wake. “Great way to start my
first vacation in years.”
She adjusted her
grip on the door and blew wet hair away from her mouth. “Alrighty then.”
Muttering under her breath, she reached past the dog and plucked the half-full
Swear Jar from the floorboard. An irritated swipe at the wet hair
clinging to her cheek left more muddy streaks behind. “Time for the big guns.”
She placed the jug on the seat near Biscuit and pulled two soggy one-dollar
bills and three quarters from her pocket. She took a breath and ceremoniously
dropped the quarters through a slot cut into the lid, mumbling after each one.
“Damn. Damn. Dammit.” She took a deep breath and crammed the wet bills through
the hole. “And son-of-a-bitch.”
“Don’t reckon
that’s gonna help much.”
An f-bomb exploded
before she could stop it.
***
Startled by the
man’s deep voice, Lexie swore and spun around, tossing the jar over her
shoulder as intense pain shot up her leg.
Off-balance, she grabbed the door to keep from falling on her rear as
the jug landed with a mushy thump at the stranger’s feet.
The brim of a dark
Stetson cast his face in shadow, but there was no disguising his frame. Tall,
at least six-two or three, shoulders a mile wide, with long, muscular legs
encased in worn jeans. Muddy work boots covered his feet, and well-used leather
gloves stuck out of his front pocket. Rain dripping from the brim of his hat
left wet trails on his pale blue chambray shirt, and the rolled-up sleeves
revealed tanned, muscular forearms.
He hesitated, then
picked up the jar, one corner of his mouth curling up as he read the
inscription. “I’m guessing that last word is expensive,” he said as he passed
her the container before stepping back.
His husky,
just-woke-up voice raced through her like fine wine, leaving her momentarily
speechless. “It is,” she snapped and took the jug. “Five bucks.” She glanced past him and noted a
grime-coated, black Ford F250 crew cab parked behind him on the shoulder of the
road. Holy crap. I never heard a thing. She eyed her bag, mentally
calculating how long it would take to reach the pistol inside if needed. “You
shouldn’t sneak up on people. I have a gun. And I know how to use it.”
He made no effort
to approach, just stood there, hands on his hips. “Are you hurt?”
She gripped the
door tighter when her throbbing ankle threatened to fold again. “No. I’m good.”
“You have blood on
your face. And mud.”
His intense gaze
traveled up and down her body, causing an involuntary shiver.
“Were you ejected?”
“No. I slipped when
I got out.”
He tipped his head
toward the back seat. “What about the dog?”
She glanced at
Biscuit, who showed no concern over the stranger’s sudden appearance, and noted
a little blood on the side of his mouth. How did she miss that before?
“Biscuit!” Dismissing the man, she leaned against the car and ran her hands
over the dog again, checking more thoroughly for anything broken. “I’m so
sorry, baby. I’m so sorry.”
The dog stoically
endured her frantic exam with only a slight whimper when she touched his front
paw before moving to his mouth. “Come on, baby, open up.” She slowly pried his
jaw open and saw blood on his tongue.
“Looks like he bit
it. Probably on impact.”
It took tremendous
effort not to react to the unexpected voice behind her left shoulder. “Yeah.
Probably. I’ll have him checked out when I get to town.”
He looked at the
luggage piled in the back of the SUV. “Where you headed?”
She glanced up and
discovered walnut-colored eyes watching Biscuit, his square jaw visibly tense.
His face was rugged and somber, bronzed by wind and sun and covered with dark
stubble. No laugh lines around full lips, and unspoken pain was alive in dark,
fathomless eyes. In a heartbeat, his expression changed, switching to
closed-off and distant as he took two steps back, hands stuffed in his front
pockets.
Multi-awarding winning author Dana Wayne is a
sixth-generation Texan and still resides in the Piney Woods. She routinely
speaks at book clubs, writers’ groups and other organizations and is a frequent
guest on numerous writing blogs. A die-hard romantic, her stories are filled
with strong women, second chances, and happily ever after.
“I’m all about the romance, so my tales are heartwarming,
have a splash of suspense and humor. While they are a little steamy, I believe
romance is more about emotion than sex, and the journey is more important than
the destination.
“I retired in late 2013 and published my first book in 2016.
I was over the moon when it was awarded first place in a contest through the
Texas Association of Authors, and I never looked back. My books have been
nominated for and/or received various awards and numerous five-star reviews. To
have my work validated in such a manner is very gratifying and humbling.”
Affiliations include Texas Association of Authors, Writers
League of Texas, East Texas Writers Guild, Northeast Texas Writers
Organization, and East Texas Writers Association.
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