By Caroline Clemmons
How
much of the two main characters’ history should an author reveal at the beginning
of the book? This problem worries every author.
Should we use flashbacks? I hate those, but I admit I sometimes use them. Should
we write a prologue? What about alternating current chapters with background
chapters?
Most
readers have a preference. Perhaps you don’t have a favorite. If the author’s writing is
compelling enough, I don’t mind any devices.
Except one. I have recently been reading a lovely series with a librarian heroine and interesting recurring characters. Suddenly, at the very end of book three, the hero broke up with the heroine. What? Wait, that can’t happen! I felt cheated. I was cheated.
In literary fiction, that sort of
thing happens. Not in romance and romance combined with cozy mysteries.
The author didn’t follow the genre guidelines: happily ever after. She had
built these two people into a believable perfect couple. The hero had all the
qualities of a great hero. For him to doubt the heroine’s affections enough to
break up with her was not credible.
On a similar subject, I don’t like
romances with a heroine who can’t decide between two men. For a couple of books, I’ll
tolerate it perhaps, but not longer. This is more common in cozy mystery romances
than just romance. There are series I abandoned because the heroine couldn’t
make up her mind which man she loved most. If they’ve had sex and she waffles back and forth between them, she’s not a heroine, in my opinion.
I’m not referring to a seemingly
insurmountable obstacle such as the common example: If he’s a fireman, she’s a
pyromaniac. Extreme, but you understand why it’s used in romance workshops.
Maybe they can’t resolve the obstacle until the last chapter. That’s good
tension, right?
What are some pet peeves you see in books? Tell me in a comment to be entered into a drawing for an ebook.
If
you’re looking for a book that guarantees romance with a happy ending, please
try one of mine.
Keep reading and stay safe!
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